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My Final Copy

I turned in my final copy of the manuscript on November 1, early last week. Now it’s time for the editors to get going on it and find what I might have missed. I really worked hard to do all the corrections and typos and continuity errors, and I thought of one this afternoon I probably left uncorrected–in one particuIar spot, I called Tommy Hebert’s truck a diesel truck–and it’s not. So I need to at least correct that as soon as possible once I get the edited manuscript back. I’m hoping that’s the only glaring thing that’s there. I imagine there may be stylistic discussions, etc. as well. Which I do not mind getting into. If something needs changing to make more sense, etc., by all means, fix it.
I don’t know when those are going to come across–I figure after the new year with the way people usually work during the holidays. It needs to go to print February 1 or thereabouts. I just want the editing process to be smooth and not rushed. So I hope I hear back sometime in December while I am off for the holidays. We will see.
I am starting to turn my mind to my next project, and I think it may be my memoir project rather than any more work on Missing and Mentally Ill in Mississippi. I haven’t gotten any replies on it from the batches I sent out in August and September, and I was too sick to send many queries during October. And most of New York publishing shuts down during the holidays until the second week of January. I have the proposal, and it is still solid.
But I think I am going to invest in rewriting the story of those 24 months between when I told Bob I was pregnant with my youngest daughter and when I was actually diagnosed bipolar. And I can have my stats (if any!) from sales of Hurricane Baby to bolster my case for getting another publishing deal. Not sure exactly when I will get started, but maybe soon, maybe after the new year, maybe after i finish edits for Hurricane Baby. I’m going to start by reading that part of my thesis manuscript again and see what (if anything) I can incorporate from that manuscript to the new one.
Wish me well! Happy writing to you all!
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Self-Publishing vs. Traditional Publishing

So if you’ve been on social media for the past couple of days, you’ve probably seen the kerfuffle on this topic. A Famous Author spoke disparagingly recently about those who self-publish rather than get an agent and a Big Five deal. She called self-publishing the “easy way”.
Now, I understand this line of thought. Back in the 2000s, self-publishing was synonymous with vanity presses, those you paid to simply print your book for you (often at great expense) and left you to your own devices to sell a few copies and be able to say you wrote a book. Often, they were riddled with grammatical errors and looked very unprofessional to the savvy readers’ eye.
However, that’s no longer the case with the current generation of writers. Many act as their own publisher, hiring editors, book designers, publicists, printers, and other professionals to aid them–or taking the initiative to do all of these jobs themselves and–most importantly–keep all their profits from sales.
I knew I didn’t have the expertise or desire to incorporate and run my own publishing business. So I opted to pursue a small press or university press deal, where I wouldn’t be too busy doing all the technical work to publish a book to be able to write the next one.
Self-publishing is also democratizing and diversifying the publishing trade. The Big Five have a problem common to multinational corporations–appealing to the lowest common denominator to make a quick buck or billion. But very little of that money goes to the author–most is eaten in taxes, agent commissions, and other expenses of the publisher.
I was blessed to find a regional press that published what I was selling–a book of Southern literature, a short story collection, a book set in recent past. They take care of the technical details, and I set my own publicity schedule, going where my book is likely to find an audience. As far as I am concerned, it’s a win-win.
Writing a book is a big accomplishment. Finding an agent and a publisher is darn near impossible for someone just starting out. The main thing for an author to watch out for is someone who wants to draw you into spending a lot of money and have very little to show for it afterwards–agents who charge upfront fees, publishers who hoodwink you into a ironclad contract then take you to the cleaners for expenses, editors who want to turn your book into something other than what you meant to write.
But making the choice to self-publish, with your eyes open to the demands that path entails, is often a case of getting a book out into the world that is everything you wanted it to be. And that’s not as “easy” as some might think.
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Book Cover Planning

So in the author questionnaire I filled out for my publisher, I was asked my ideas for the cover design of Hurricane Baby. I’ve been asked this one other time, and my idea for the cover hasn’t changed–I wanted a faded black-and-white or sepia-toned photo of the barrier islands on the Mississippi Gulf Coast with the title and my byline in italics so it would look like the words were being blown across the page. My publisher thought that was a neat idea.
So last time I checked in with the publisher, she said I could start working on the cover by creating a “mood board” of pictures that I would like to see. She suggested I use Shutterstock, but I don’t have an account there, so I used Morguefile instead, a free site I have used before for blog post pictures back when I was guest blogging.
I used the keywords of “Hurricane Katrina Mississippi Gulf Coast” and got lots of pictures. I didn’t want any that were of graphic direct hurricane damage–i.e. houses broken down to matchsticks or anything like that, because the hurricane damage in Hurricane Baby is largely psychological, rather than physical. I didn’t want to give away much about the story, so I didn’t want an actual baby on the cover. So I pulled three photos that really evoked the mood–one of a clouded-over sky, another of surf on the beach, and another I really liked: a tree standing alone on the beach having not been knocked over by the winds.
That picture particularly struck me because Hurricane Baby is all about people who survive the storm but are changed forever because of it. They are still standing–but they’re scarred and alone in their inner turmoil.
Anyway, I sent those to the publisher and she latched onto the tree one as well. So that was happy. I told her that I wasn’t wedded to any particular picutre that I sent and she was welcome to send me any others when the time came to select the cover, but that these three represented the vibe I was going for. So once I get the manuscript to them after this edit I’m currently in, I will see what they come up with for the cover and have fun!
So if you will excuse me, I will go back to editing! Happy Sunday and happy writing!
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Working Through Setbacks

(I wound up in the hospital ER last Sunday afternoon so that was why I did not post.)
But once I got home, I started back working through my printed manuscript. I am working through my big continuity problem–I had aged Mike and Dinah Seabrook, up to where they were in their early fifties. Guess what I forgot to do?
Age their kids.
I had them with a two-year-old boy and two elementary-age girls.
So now I stepped Mike and Dinah down to in their mid-forties and put all three of the kids in middle school. I remember how stupid I felt once I realized what I had done! I guess I was just very very lucky it wasn’t caught by this publisher’s reader and rejected. (That may have been the trouble all along!)
So I am editing the old-fashioned way–notes in the margins, etc. Once I finish this once-over today, I’ll have plenty of time after I get this health issue straightened out to make the changes in the final manuscript and be done with this stage.
Of course, there’s no telling what’s going to happen once a project editor gets hold of it. I am just trying to get it in the best shape I know how, then take their edits and make it even better!
Next week: talking about cover images! Can’t wait!
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Read-Through

So today I sent my book to be printed at Office Depot. I ordered two copies–one to document this iteration of the book, and one to mark up as an editor.
And boy, does it need an editor.
Still some periods that should be commas and backwards quotation marks–stuff you have a hard time seeing on screen that’s easier to pick up in a print.
And I’ve found one minor and one major continuity errors. I will need to do a lot of work to straighten up the second. But that’s why you keep making pass after pass through it–to catch that stuff before it goes to print and you embarrass yourself.
So that’s been today. I was hoping to get the read-through done today, but I guess I’ll have to finish tomorrow then start marking the text up and input the changes each night.
Good work ahead–can’t wait!
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Hurricane Baby The Play Update!

So when I signed my book contract, I made sure to keep the rights to Hurricane Baby, the play. And the Mississippi Repertory Theatre (which has gone through a lot of drama in the past few months) sent me a message yesterday that it plans to go ahead with a staged reading in Oxford, Mississippi soon, dates about to be determined!
So knowing what I know now, I said I wanted to work on it a bit and give them a clean script tomorrow. So that is my job today.
The artistic director said they were looking at doing a new plays festival in Oxford in 2025 with a full production. I told him about the book release, and he said something to the effect that he’d like to tie the play to the book’s release. So a lot of things have to happen for that to occur; so I need to see what develops in the future.
It seems that I’m going to be my own publicist, so I need to make a list of what all needs to be done between here and the book’s release. I know I want to go toa few bookstores in Mississippi and Louisiana, I hope to do the Louisiana Book Festival and the Mississippi Book Festival and the Welty Symposium, so I need to work on those avenues closer to the book’s release. Any other publicity needs to start about four months before the book’s release date.
So that is where that project is at. Can you tell I am still excited? Happy all the way through.
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Wishful Thinking? Or Divine Instruction?

I did something this morning that I’m sure most of you will find incredibly silly or misguided or stupid. But I did it, and now I feel like I should share it.
Scripture tells the faithful to put the Lord to the test in our finances–commit to big things in his name, and he will meet us in that commitment and provide.
My church is doing a fundraising campaign. The particulars aren’t important. But today was the pledge day for it. And as clear as day, before the preacher even started talking, I heard God telling me to write on the pledge card that I would give my first book advance to the church.
This thought had never occurred to me before. I didn’t even know it was a pledge day until I got there in the sanctuary and saw the pledge cards.
Not a dollar amount, not a certain percentage of the money I already have, but something that I’ve questioned very much recently if I will ever receive.
I really wrestled with this throughout the service. Was I trying to manipulate God into doing something that wasn’t in his will for me? Was I selfishly asking him to bless my efforts at publication but dressing it up in religious language? Was I looking for glory for myself rather than for him?
Because God looks at the heart. Was I was asking for a miracle to quell my feelings of failure and inadequacy? Was I asking God to do something I wanted badly and just tacking on that I would give the money to the church in an effort to deceive myself about my own motives? Was I evading giving anything at all by hinging my pledge on something so farfetched?
I didn’t get that question answered during service. I just obeyed by writing that on the card and dropping it in the box they asked us to put our cards in.
I caught myself thinking that I’m sure whoever read the card would have a good laugh about what I said. Maybe even tell everyone on staff.
But then I thought: What a testimony it would be if it came true! A testimony not to my work or talent, because that surely hasn’t gotten me very far at this point. But a testimony to God’s power that anything is possible if it brings glory to him.
That’s how I need to think–how can I bring glory to his name. And so that’s what I’m going to do. You read it here first.


