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  • Juggling The Work

    Juggling The Work

    Well, since I don’t have the final proofs for Hurricane Baby yet, I am working on my three-novella project Looking for Home. I only have two more scenes to write for this POV before I’m finished and can go back further into the past and write the first POV character, Carlton Dixon. Right now I’m working on the POV of Cassie Beck, the adopted teenager that comes to find Carlton, claiming to be his daughter by his teenage girlfriend, Merrilyn Beck. (Cassie’s POV is the part that sold for the novella anthology.) I’ve already outlined what I want to do for Carlton’s POV and Merrilyn’s POV, so that changed a few things that happened in Cassie’s POV. And I’m sure that when I’m finished with the first two parts, I will need to revise Cassie’s part again. But that’s OK.

    I want to finish the new draft for this project before Hurricane Baby comes out in August. And I am chipping away, bit by bit, paragraph by paragraph. I am keeping up with my daily word count in a notebook so I can see when I write best and have the best production and figure out what goes well on those days. Is the outlining helping or hurting? Is it better to plan out what I’m writing beforehand or write without a net to catch me if it goes awry? That sort of thing. We will see.

    Kicking around ideas of who to pitch publicity opportunities to for Hurricane Baby. I’m looking at book podcasts, regional magazines, radio shows, newspapers, festivals. Once I get to pre-orders, I’ll start sharing that link around. Just getting together my ideas and what all I want to do. I hope I can start getting the word out seriously by then. Wish me well!

  • COVER REVEAL!

    COVER REVEAL!

    Finally able to get back to my computer after some illness and traveling and able to reveal . . . the cover for Hurricane Baby: Stories, due out in August 2024!

    I want to thank Jacqui Davis for her design work here in realizing exactly what I’ve always had in mind for the cover of this work. Appreciate the whole team at Madville Publishing for taking on this project and awaiting the next proof copy with bated breath! Much love to all!

  • First Proof Copy!

    First Proof Copy!

    So last Friday I got Hurricane Baby’s first proof copy, a preliminary PDF of what the book will look like once it’s printed. I was so moved by the care my publishing company is taking with this book! Art on the title pages, beautiful formatting within, just wonderful work so far!

    My job was to proofread it yet again. And guys–I found over a hundred and seventy typos. I was appalled at myself. I have been slaving over this manuscript for almost twenty years. And I found commas that were supposed to be periods and periods that were supposed to be commas and double periods and sentences without periods at the end and a very few spelling errors (thank the Lord). Inconceivable that I even got any kind of hearing from anyone I sent it to. The line-editor before this proof had found over three hundred errors.

    I was so embarrassed for little ol’ me, sending something so flawed out into the world. I had checked and rechecked and run grammar and spelling checks over and over. I had read it printed out, onscreen, everything.

    But I don’t need to just beat myself up–so now I have a plan. I know my eyesight isn’t good and won’t improve any as I get older. I am going to have to magnify up the font to I guess the size where the manuscript will have 500 pages and read line by line at every stage of writing. I don’t want to embarrass myself like that ever again.

    So now it is back in the hands of the publisher, and I will wait patiently to see what comes next. I think it will be a final proof copy that I will read again for errors, then in February it will go to print!

    SO EXCITING AND GETTING REAL!

    Moral of the story: editors are human, and so are you. But taking the time to re-read is never wasted. Other eyes are a big help, too. Let’s be careful out there!

  • Taking a Break!

    Taking a Break!

    Merry Christmas, everbody!

  • Line-Edits!

    Line-Edits!

    I got line-edits last week! So I spent yesterday working on that project. Only 335 punctuation corrections! (Ugh.) I did notice a trend–a lot of em-dashes had been typed incorrectly, and I LOVE using em-dashes, especially in dialogue. And I love writing dialogue. So that was that.

    Only content question the editor had was about Leilani, James’ second wife, having such an unusual name. I did not know this–it’s Hawai’ian for “royal child”, which was perfect for the spoiled baby of the family! But that was only a happy accident–I certainly didn’t think that up while I was writing, and it’s doubtful that Leilani’s parents would have either. So I dreamed up a new explanation for why her parents named her that–that you will have to buy the book to see :).

    Now it goes for formatting into InDesign, then another read to make sure nothing horrifying mechanical-wise goes through once it’s converted to a PDF. Then I read proof versions, then it goes back into design for final formatting of the text.

    I am trying so hard to be calm and professional in my interactions with them, but I can’t help for my joy to come out! It’s really getting real! In eight months, my book will be out on bookstore shelves, Amazon, Barnes & Noble! A big goal for my life since I was a very young thing! I have been writing stories for FOREVER. Treasure stories cribbed from the Bobbsey twins’ adventures when I was a kid, teen romances when I was a teenager, short stories in my first Master’s program–I’ve had stories in my life longer than almost anything except my parents. And I’m so close to having a book!

    It boggles my mind how far I’ve come.

    Onward!

  • Making Sure It’s Ready

    Making Sure It’s Ready

    I really pulled a rookie mistake last month.

    I got enamored with the idea of trying to republish a novella, Looking For Home, that had appeared in a novella anthology, as a standalone book. I thought it would be a quick and easy way to get another book out–the book had already been edited well and didn’t need any more work on it, right?

    And so in typical Julie fashion, I got ahead of myself. I sent it out to eight publishers that take novella submissions with a total list of about seventeen publishers I could find that would be interested in a short-form book.

    What I didn’t anticipate was how enamored I would get with the story itself, thinking about how I could improve it. And that whole idea began to grow–of turning it back into a novel-length book like I originally wrote it after I completed Still Waters back in the mid-2000s.

    So after much careful thought and cogitation (and talks with writer friends about the options), I have started revising the material I already have back into the novel form–but better organized and better written (I hope).

    I wrote notes for the new parts I was going to have to create, pulled source material from the original manuscript (that I had to dig out of my computer archives), and did a little thinking over how that material would have to be restructured to have a character arc of its own, that would necessitate changes in the novella part as well.

    The project started to feel like a giant snowball rolling uphill.

    But I am interested in how I can make this work. Much more interested than I am in trying to revise my bipolar memoir.

    So I’ve committed to that.

    But I still have those eight premature novella submissions in my Submittable queue, grinning at me. Do I withdraw them, or just let the selection process run its course?

    I think I am going to see what kind of progress I can have on my revisions throughout December, and if I can stick with the project and not give up on it, I think I am going to withdraw them after the first of the year.

    What have I learned?

    –Always get input on my project before submitting it. I may think it’s ready. But someone else might can look more objectively evaluate my ideas.

    –Always think through the ramifications of what I am doing. Selling this story as a novel exponentially expands the number of publishers I can send it to. What I should have done was get all the list together so I would have realized that before I made any submissions.

    –Remember nothing worth doing comes easily. I didn’t need an “easy” sale. And selling two books released too close together is not the smartest move I could make. I don’t need to make impulsive decisions on submissions.

    So I am to continue working on this book, and if the motivation/passion for it is still there in the new year, i will cancel those submissions. Wish me writing favor as I embark on another writing journey!

  • COVER REVEAL COMING!

    COVER REVEAL COMING!

    Hurricane Baby has a cover, ISBN number, and price. Keep watching this space, and you will see the cover after the New Year when the situation is totally finalized. YAY! Becoming more real by the day!

    Kicking along with the new story as well. I’ve done a lot of thinking about what I want to write down, but eventually I need to start actually writing it down. Right now I’m keeping notes in my phone as they come to me.

    I don’t know what this syndrome is where I can’t take myself seriously when I’m first starting out on a new project, but it needs a name. It’s not quite imposter syndrome–I know I’m fully capable of writing a good story. But I can’t look ahead to the future while I’m drafting, or I freeze up. I’ve spoken about this before–I have to keep my goals limited and my ego turned off. I’ve gone so far as to label a document Trash (before I knew about Dorothy Allison’s book) so I wouldn’t take what I was doing too seriously and just think about it as a throwaway project so my ego wouldn’t get involved. Anyone else out there ever feel this?

    (I’m sure my ego will be kept in check when I actually start selling Hurricane Baby. I’m trying to keep my expectations reasonable there, as well.) 🙂

    Anyway. I am going to take my time with this new project. I will have Hurricane Baby line edits coming my way soon, so that will a welcome development. Then it will go to print, and the book will be one more step closer to reality! Pre-order links will be available by March, so you will be able to order it then. Pre-orders are SO important–that helps the publisher know exactly how many books to print depending on what the demand is according to pre-orders. So you will hear me emphasizing that again once that time comes as well.

    Thanks so much for all your support, and please wish me well as I begin to flesh out this new project as well. Thanks to all who read! Happy reading!

  • Finding a Passion Project

    Finding a Passion Project

    Sigh.

    I realized I just don’t feel enough of a push to actually work on my memoir, When I Went Crazy, as I thought I did.

    I’m not rushing to the computer to work on it like I did Hurricane Baby last year. I was seriously excited to do that project, and when I wasn’t excited, I was fueled with a grim determination. I WAS going to finish it, and I WAS going to revise it, and I WAS going to sell it whether anyone liked it or not. I had a real drive that pushed me through all the hard work.

    And I’m not feeling that right now except about one project–selling my novella, Looking For Home, as a standalone project.

    Looking For Home grew out of a scene I had written while floundering around with Hurricane Baby the first time. I had written it in the context of Wendy and Judd’s baby growing up and going looking for Judd when she was a teenager. I didn’t go that direction with Hurricane Baby, but I did think I had written a perfectly serviceable scene. So I dreamed up a new idea for a story about a teenaged couple, Carlton Dixon and Merrilyn Beck, giving up a baby for adoption because Merrilyn was only sixteen–and that baby coming to find Carlton once she got to be a teenager.

    I had a really good time writing that story just like I had enjoyed doing Hurricane Baby, with a rich backstory, told with multiple narrators. On the advice of an editor I had asked to help me with it, I cut it down to one point of view and created a novella, which I sold to a publishing house in 2018 as part of an anthology. Well, the rights have reverted back to me, and I want to sell it as a standalone book.

    So I’ve been researching publishing houses that publish novellas and sending off to them. But the story has really held up through the years since I wrote it. I don’t see anything that really needs to be changed about it. And if it doesn’t sell as a novella, then I may take it and redo it just like I did Hurricane Baby. Only this one I think I would write as a duopoly or trilogy of novellas in one book. I would harvest the original manuscript to write the story of back-when in Carlton’s point of view, write the intervening story in Merrilyn’s point of view, and leave the current novella in Cassie’s (the teenager) point of view.

    (Hm. I will think about that some more.)

    But back to my point. If there’s no flame to fan in your heart for a project, maybe it’s not time for you to work on that project. I have No real excitement about going back into those thoughts and feelings right now. So I will wait for the right project to come along. (Or I may have just found it. I’ll keep you posted.)

  • Liminal Space

    Liminal Space

    So now I am in the liminal space between querying my book and publishing my book. I’ve done what I’m supposed to do (get the manuscript in the best shape I can, look over sample covers, get leads on publicity avenues) and now I’m waiting for the edits and the ironing out of final details before we go to print in February 2024. Suddenly February 2024 doesn’t seem that far into the future as it did in September when I signed the deal.

    I am working on When I Went Crazy–I’ve finished the first chapter and am looking at the next. I will likely start on it tomorrow night when I write. I’m also researching places to try to publish my novella Looking For Home as a standalone book. So far I think I’ve sent it six places (I don’t have my list in front of me so don’t. hold me to that.) Not many publishers do novellas, so there aren’t many places to send to. But I’m going to give the ones I can find a shot and see what happens.

    I love that I’m finally able to think about a future in writing and publishing my work. I had resolved to myself that if Hurricane Baby didn’t publish by 2025 (the twentieth anniversary of Hurricane Katrina) that I would just give up on writing fiction altogether and just stick to my bipolar work and labor for a better world for the mentally ill in my little corner of advocacy and education. But now I feel like I have a chance to do more, be more, get more visibility for the issues surrounding mental illness. And that’s a good feeling.

  • Mood Music for Writing

    Mood Music for Writing

    When I was first writing Hurricane Baby in those days right after Hurricane Katrina, I listened to two CD’s obsessively. We were members of the BMG Music Club back then, and we had ordered INXS Greatest Hits and Duran Duran Greatest Hits in the weeks before the hurricane hit, and they were delivered to our mailbox once mail service was finally restored to our area, in the first batch of mail we got.

    So those songs became part of the backdrop of those days following the disaster and were very closely associated in my mind with my emotional state after the hurricane–terrified of what we had become as a society, traumatized by the endless news feeds showing the horror wreaked on the entire state of Mississippi and the eastern half of Louisiana, and desperate for a return to sanity and normalcy in my spirit. And whenever I worked on the novel that my story was becoming–I put those CD’s on the stereo.

    So whenever I returned to the manuscript to retool it, revise it, revisit it, I put those CD’s on to try to recreate the vibe of my emotional state when I first conceived and wrote the book. That included this latest set of revisions, the ones that finally got the book sold.

    So now I am thinking about my new project, which I am currently calling When I Went Crazy. I decided that since playing mood music in the background worked so well for writing Hurricane Baby, I’d try it with this one as well!

    I tried to remember the music I’d played while writing the thesis for my graduate program and just couldn’t come up with anything I had stuck with that inspired me to write. Then I realized that with me concentrating on the time period I was going to cut my thesis down to, it was going to be a lot darker than the thesis. The theme of my thesis had been hope, that there is life after receiving such a diagnosis. But I realized that to accurately convey my emotions during the time the book would cover, I was going to wander into some scary territory.

    So I set about putting together a playlist on Spotify that would reflect the vibe I wanted to create in the new project. I started with my favorite songs from the two CD’s I had used to write Hurricane Baby–then I let the suggested songs I was given after each addition govern the other choices. I have songs from Robert Palmer, Simple Minds, Prince, and several other 80’s groups, because I will be doing some flashbacking to when I was a teenager and listening to those songs. Other songs from when I was even younger include some of Elvis Presley at his bluesiest best. Anything the suggestions list had on it with a harder edge to them that would capture that feeling of helplessness I had watching myself fall completely apart went on the list.

    When I finished, I had two-and-a-half hours of music listed out. I never write for longer than that at a time nowadays with my job, so I felt like that was a perfect length. I labeled it “Writing Mix–When I Went Crazy” and stored it on my phone. I was pleased with myself. I will reserve it for when I am actively writing on anything related to the memoir. Off to the races!

    Edit; Selling Hurricane Baby? That playlist was Hamilton the Original Cast Album. “I am not throwing away my shot!” But I’ll save that story for the book tour. . . 🙂