I had an interesting incident late last week that I think says something about my evolution as a writer over the past twenty years? What it says I’m not sure about, though . . .
I was revising a scene from one character’s point-of-view (Steven Burr’s) to another character’s point-of-view (Melissa Benedict’s). I was writing dialogue between these two characters and trying to stitch a new conversation into the original conversation I had written years ago. The original scene was written with a light, almost ironic touch–Steven is talking to Melissa after they leave a restaurant and are walking back to the lobby of the hotel she’s staying at. She’s a little drunk–not falling-down drunk, just really tipsy. (If a verse from a certain Carrie Underwood song named “Before He Cheats” comes to mind but written from the point of view of the guy–yeah, you’re thinking in the right direction.)
So I’m rewriting this scene into the point of view of Melissa. Her judgement’s impaired, and she knows it. But this guy is being really, really patient with her–he’s walking slowly and making sure she doesn’t trip and fall in the parking lot of the hotel. And I am trying to figure out some way to break the tension here–because the conversation I have already written is too good to lose, but I need to find a way to get her to that conversation, written in this light, meet-cute tone.
I finally reach the end of my dedicated writing time and just give up and decide to tackle it again the next night–so I shut down my computer to start winding down the night. I’m talking on Facebook Messenger to one of my book friends an hour later–and the solution presents itself while I’m explaining it to her. I sign in to the notes app on my phone, type in this solution, and soon after that pack things in for the night. I wrote the new bit into the scene the next time I sat down to work on my book.
But I remembered an incident from writing my very first book, Hurricane Baby, years ago–I ran into a similar situation where I just could not solve the plot problem in front of me in the text. I employed a similar approach to just stop writing and think on the situation. But that time–it took THREE DAYS to come up with an answer. And even then, I knew it wasn’t a very good answer and revised the whole conversation over again in my 2022 rewrite of that book.
I guess the moral is to just trust the process? And as a writer, I know now that if I continue working on this story, I may go back and revise that whole scene all over again. Like I said, I thought the contrast of time elapsed between problem and solution was instructive–though I’m not sure how. Any comments on your own process are welcome!
Happy writing!
(By the way–whoever has spent all day reading these posts, WELCOME!)