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Mississippi Book Festival

I went to one of the most uplifting events I know of in Mississippi–the Mississippi Book Festival in Jackson, Mississippi–this weekend. Mississippi has produced a lot of writers over the years, and we’ve devised a way to bring them all back in the heat of August to do panels, talks, and book signings at our state’s New Capitol building for a day dedicated to the written word.
This year was the ninth year of the festival–it was held virtually during the height of the pandemic and last year was the first year they had it in person, with over 7,000 people attending Festival events. We haven’t heard yet what this weekend’s attendance was, but every panel I have heard anyone mention has been packed full of people.
I went this year in my capacity as an employee of the University Press of Mississippi and still saw a lot of people: Lauren Rhoades, who will publish her memoir Split the Baby in 2025; CT Salazar, who has won numerous Mississippi awards for his poetry; Ellen Ann Fentress, who released her memoir The Steps We Take, with us this month; Exodus Brownlow, my MFA mate who has a fiction chapbook and an essay collection out this year; and many other of our authors and many of my friends from around the book world.
An event like this gives me something to shoot for. A new resolve to be In the Room Where It Happens. I have new hope for my books and that one day I can be a panelist and talk to people of home, my place, where I grew up, about my work in a culture–small that it is–that loves stories and words. Just you wait. . .
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Revamp

So I have started in earnest on the quick Hurricane Baby rewrite for July. I am working with the last reading Cheryl gave it and finding new ways to ratchet up the tension throughout. I am on story number 12 so far, and finally ran into one of them I’m not sure I can improve on. But I’m going to keep thinking on it to make sure. I am using Cheryl’s notes to work through problem passages that she pointed out that need either rewriting or cutting.
The story I just went through was a good example of what I am doing. In the last rewrite, I realized that each individual story had three impactful scenes in it, a rising tension one, a big climax, and a third scene leading into the next story in that arc. I just went through the story where Cindi leaves Tommy and realized the third scene was really flat. It didn’t have any stakes for Cindi and Tommy; it was just a memory of Cindi’s. So I made the scene have some more meat to it and added to the stakes of the fight between Cindi and Tommy over his drinking.
Another particular one that Cheryl had commented on was a story told from Rosie’s point of view, and Cheryl felt like it was Wendy’s story to tell. It had been originally in Wendy’s POV, but I wanted it to be in Rosie’s so she could have her say about the events in the book as well. But I hadn’t told a story about her in it. On this rewrite, I made the story about their relationship as sisters. I made it have stakes between them instead of just Rosie finding out about Wendy’s relationship with Judd. Hopefully that gives the story more depth and meaning and makes a better case for Rosie as the narrator.
I’m doing that with every story, checking that the number of scenes is right, that the stakes are high, and that each story is told from the right character’s POV. So we will see how it turns out.
Wish me well–I will need to be sending it back out soon after July to the new places I found to submit to. Here’s to second chances.
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Progress!

So far I have typed 3000 words on my current work-in-progress. I’ve done the writing sprints with my MFA buddy Shannon and am making progress past my initial fear about taking such a project on. When I start I just think, “It’s only for an hour.” And I just write!
The more I write the more excited I get and the more daunting it gets, but I’m not letting myself think it’s a book; I’m treating each chapter like a newspaper article. That’s helping, too.
I can’t wait to get back to it Monday night!






