Revamp

So I have started in earnest on the quick Hurricane Baby rewrite for July. I am working with the last reading Cheryl gave it and finding new ways to ratchet up the tension throughout. I am on story number 12 so far, and finally ran into one of them I’m not sure I can improve on. But I’m going to keep thinking on it to make sure. I am using Cheryl’s notes to work through problem passages that she pointed out that need either rewriting or cutting.

The story I just went through was a good example of what I am doing. In the last rewrite, I realized that each individual story had three impactful scenes in it, a rising tension one, a big climax, and a third scene leading into the next story in that arc. I just went through the story where Cindi leaves Tommy and realized the third scene was really flat. It didn’t have any stakes for Cindi and Tommy; it was just a memory of Cindi’s. So I made the scene have some more meat to it and added to the stakes of the fight between Cindi and Tommy over his drinking.

Another particular one that Cheryl had commented on was a story told from Rosie’s point of view, and Cheryl felt like it was Wendy’s story to tell. It had been originally in Wendy’s POV, but I wanted it to be in Rosie’s so she could have her say about the events in the book as well. But I hadn’t told a story about her in it. On this rewrite, I made the story about their relationship as sisters. I made it have stakes between them instead of just Rosie finding out about Wendy’s relationship with Judd. Hopefully that gives the story more depth and meaning and makes a better case for Rosie as the narrator.

I’m doing that with every story, checking that the number of scenes is right, that the stakes are high, and that each story is told from the right character’s POV. So we will see how it turns out.

Wish me well–I will need to be sending it back out soon after July to the new places I found to submit to. Here’s to second chances.

Swap

My writing buddy Cheryl sent me back her read of Hurricane Baby: Stories, and her read was much more favorable that I thought it might be. She noted a very few places in the manuscript where she lost track/got tripped up in the narrative, and she thought I could actually cut some places where I was describing actions that didn’t necessarily move the plot forwards–she urged me to focus on the action throughout, which was a nice surprise. She said she really, really loved it, and her favorite character was Tommy Hebert, the one I turned from a peripheral character to a major one –she said his character arc really held her attention.

So now I think I know what to do with it in the next stage of revision, which I am probably going to take up next year (if it doesn’t get picked up by someone before that) after I draft my new project I want to work on. I am going to make each story as individually strong as I can and start sending them out to see if I can publish them in high-profile places and get them some attention. We will see what happens.

Some of the items she mentioned I can fix now before it goes out to anyone else this year–they’ll be quick. And I need to finish reading and reacting to her manuscript before the end of the month. So i am gong to look for some time to finish that before May 30.

i am very glad I did this new swap. I feel more confident about the manuscript’ strengths and know where to fix the weaknesses. So good. Onward and upward!

Ready to Swap Again

I’m on the verge of doing another swap of Hurricane Baby with another writer, this time Cheryl Pappas, who I met through the workshop I attended last summer. She is writing her first novel even as we speak, so I will be beta reading that for her, and she will be reading Hurricane Baby.

I’m not sure what I can actually accomplish by having it read again and revising it again. I may can make it better so it gets accepted at one the eight places left on my list where I haven’t yet sent it. Which is a heck of a tiny margin of error or success, depending on how you look at it.

Or I may can make it better and send it around again in 2030.

That looks like a damn desperate concept when I say it that way.

Or her feedback may convince me to shelve it altogether and start over with my new story idea and just work on that for a while.

Or I may can take the feedback, make each story the best it can be, and try to sell the individual stories around to see if I can get one or three picked up by journals to have a better chance once I start sending it around again.

That sounds more hopeful than giving up. Or simply waiting around after revising.

I guess the moral is: Keep fighting for your work. Even if it means a strategic retreat from time to time. The fight IS the work in that case. So that’s what I’m doing: Fighting.

Surprise, Surprise.

I had another real gut check moment this week. Two, actually. I got into my revisions and suddenly realized I have to rewrite almost every bit of Tommy and Cindi’s storyline. The first story is fine–now. I have to totally rewrite the second for it to be from Tommy’s point of view, then that means that every other story in that arc has to be rewritten, too.

So I resigned myself to doing that. Scared I would mess it up by doing it, so popped out all five stories into their own document to revise on in case it’s too hard and I have to give it up.

Then Saturday I realized that once that one is beefed up the way I want it to be, that James and Lori’s story arc was terribly weak compared to the others. I needed more juice for it too. I started fussing to my writing friends. It was so demoralizing for about a day to think that just when I thought I was done, that those characters were crying for more development as well. But since I had already decided on one set of revisions, it seemed deciding on another set wasn’t as hard.

But oh, I fussed about it to my writing friend for this project. She listened so patiently over Facebook Messenger as I went “Augh!” over and over talking about how I knew it all needed to be done. She first advised me to not do it at all if it was going to drive me this crazy. Send it out as it was and see what happened.

I realized I’d rather not send it out at all than do that.

And then I thought of a book that just got published recently. By someone I knew. Who isn’t even a writer by profession–he was an accounting professor at my alma mater. By a press that had rejected Hurricane Baby when I first was sending it out.

So. I thought “Boy howdy, if he can get a book published in this environment, SO CAN I.”

So I am making the changes. Started last night during a rain delay of the football game I had been planning to watch. And I went in hot on it and am now on my way. I am going to succeed with Hurricane Baby as far as it remains in my power. I’m going to write something I am proud of, even if it never gets published. And I’m enjoying ever second.

Plans For Revision

So I heard back from Laurie Marshall, my workshop mate that read Hurricane Baby. We swapped manuscripts–I read her fiction chapbook and read mine. She did a wonderful job with feedback–giving me notes in the manuscript, then writing me a document that noted big trends and suggestions for throughout the manuscript.

It was all very positive and uplifting with a lot of practical advice sandwiched in that I agree with. A few things are issues I always struggle with, like descriptions of settings and characters. I try every manuscript to get better at that and am glad when someone can push me to get even better at it because I know I struggle with it.

But the cast of characters is set, the plot is set, and the form is set. So that represents a huge advance in the process. She only judged one story as being much weaker than the others, and it was among one of the last I wrote, so I’m not surprised. It’s the last section of Tommy Hebert and Cindi Delafosse’s story, the new arc I added in this revision.

Tommy’s Hurricane Katrina story opens with him doing rescue work throughout the parish, and the subsequent drinking problem he develops after seeing a scene that scars him for life. I plan to plant the seeds for the resolution that is in that story earlier in the timeline throughout the other stories in that arc and plan to put in as much work as possible to bring that arc up to the standards of the others. I’m looking forward to starting Monday on the revisions!

Proofing

So now I am at the nitpicking stage of writing–correcting commas, passive voice, etc. etc. One of my readers said I used passive voice too often. So I did a daring exercise–I ran a total find-and-replace that deleted all instances of the word “HAD”.

It worked.

I’m putting all my sentences into active voice with that one deletion. Often it came out cleanly without needing to change the sentence at all. Other times I had to work out the new tense of the action verb that it preceded. But I will be on the lookout for this in manuscripts from now on.

So in checking all my prose I am correcting grammar and rewriting sentences and doing all those tiny, tiny tasks that make a manuscript look professional and polished. I work on one chapter a day, passing the time until my last reader gets back with me with feedback on the story as a whole.

After I hear back, I will hopefully pull the manuscript apart again and make improvements and make it even better. And I think it can be better. I’m under no illusions that what I’ve done is the best I can do. But I may have done the best I can do for this story now without more input. So I am looking forward to that.

Revision Finished

Revision number I’ve-lost-track is in the books. Now I am cleaning up typos, etc. in the typescript. I have a ton of backwards quotation marks. Not sure how that happened. I’m proofing a story a day while waiting on another read by various people and seeing what they have to say, and then I’ll dive into another workover based on that feedback.

I’ve collected a list of small presses to send to in the first round–they are all hospitable to Southern lit and I hope one of them takes an interest in it. I am looking over publishing guidelines and all those details to get them fixed in my mind so the final copies will hold up.

So Hurricane Baby is a few steps closer to reality. I hope you are enjoying this trip into the innards of writing a book. I’m still going to be posting on how everything goes with the new revisions and all the developments I anticipate in this journey. Come along for the ride!

Hard-Won Knowledge

Well, something interesting happened yesterday. I have always been a very particular writer. I write it out and don’t finish a piece until every word is as good as I can make it–the first time I write it. I am used to turning out very clean copy in a first draft and not having to revise. I’ve never been one to subscribe to the “crappy first drafts” mode of writing–where you just get a bunch of stuff on the page and sort it out later.

But yesterday I did exactly that on this fiction project. I was writing one of the last stories and wanted to get everything down that was in my head about this scene, but I realized halfway through that it needed more attention than I was giving it–I was “telling” a lot in summary when I needed to be showing it in scene.

But I just kept plugging along and finally finished what I could do that day. I went back and read it and made a big cut, and immediately the scene felt a lot better. Now I need to go back and put in the scenes I was summarizing. I have never really been able to revise my own work–I think it’s all good until someone tells me otherwise, then I can see how to fix it. So I think yesterday was a step forward for me as a writer in that I know I have to fix it and know what I have to do to fix it. Instead of just thinking it’s wonderful from the get-go :).

So today’s craft tip–go ahead and write the garbage. At least sorting through it later will help you separate the recyclable from the trash and find the treasures within that you didn’t notice at first. I’m awfully late to this awareness, but I’m glad I finally have it. Happy writing!

Story Continuity

I have been having fun writing the new installments of Hurricane Baby and cleaning up what I call “continuity problems”. Since I am adapting a huge mass of already-written material to a new purpose, I have to watch for continuity problems.

These could range anywhere from calling a character a wrong name to putting someone in the wrong place at the wrong time. For example, one story had been set between Thanksgiving and Christmas. And I didn’t realize that until I was doing yet another read through and realized that it couldn’t be set during that time because of changes to the timeline occasioned by the new stories I’ve written and other changes to the timeline of the book itself.

How to solve? I’ve started keeping a list that consists of when each event happened and what it was. So if Lelani announced she was pregnant in early January, if she went into preterm labor in the sixth month, the baby would be born in June. If, if, if. Asking a series of If questions make the dominoes of the story fall into place with minimum disruption.

Starting Revision

So I’ve gotten feedback from a few of my readers and some of the same issues keep cropping up. So I am starting to add more material and take out other material as I revise this month. I still have several readers’ comments outstanding so I am not changing any existing storyline too drastically–just adding a new story arc I dreamed up on vacation and adding a fifth story to each arc to address another comment that I knew likely was going to be said anyway. So I have more to revise and draft.

Luckily some of the new scenes can still come out of the old draft and be suitable with just a few revisions. But I know I have several new ten-page scenes to draft soon as well and will start work on that with an eye to finish August first so I can make a switch with another author I admire very much; I’ll read her chapbook and she’ll read the revised story collection.

I am truly excited about what has been said so far. I really think I’ve found the moves to finally tell this story and maybe reach the audience I want to reach with it. Now I just have to let the comments buoy me along so I don’t freeze up again. Again, I have done a lot of thinking ahead of time on what I want to say and need to just write down what is in my mind.