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Rest
Rest. That’s what I tried doing this week after I finished this third draft. I mostly succeeded.
I read. Some nights I went to bed early. Other nights I participated in chats with friends.
One night I wrote out a very basic note on the plot of the chapter that I’m adding to the middle section. I plan to start on that tomorrow night and hopefully finish a good draft within a week.
But I can tell I’m getting close to done with the writing of this book.
How do I know? I’m not thinking about the characters all the time. The impetus to rush to the computer and type on the draft has lessened. I’m starting to turn my mind to what comes next–another go-around of edits, perfecting a few more places I already know need work, making sure all the little details get cleaned up in preparation for going out to the wide world of querying.
Hopefully I can have a few days to sit with the manuscript at the end of July and marvel that I managed to do it again. A whole other book. YAY!
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Better Late Than Never!
And except for some scraps of dialogue here and there, my next revision is in the books. I do have one more scene I am tinkering with including–but it’s not a make-or-break thing if it doesn’t get in–I think the story would be better with it, but it’s fine without it, too.
It’s long. Like 345 pages long–much longer than Hurricane Baby. I may concentrate in the next revision on slimming it back down to 80,000 words. I can ask my next readers to look at repetitious passages, etc. We will see how it goes.
I still feel really accomplished. I want to be able to start shopping it in August 2025, and it looks like I’m on track to hit that goal. I have put a lot of words down on paper in this story. And these characters have really stuck with me for a long time. I just hope I keep doing the story justice.
In other news, I was at a lovely event in a small town in Alabama this past Saturday; I signed books and was in a good Q&A with the Friends of the Library organization there. I made a comment on how sometimes you can work on a project if you remind yourself that they characters aren’t real people and that it’s okay to kill them off. The moderator told me that for many of us, the characters become real people in our minds, and we get really upset when you kill one off. So lots of opinions were had and a lively discussion ensued.
So tonight I’m going to clean up loose threads and put this version of Looking for Home to bed. Wishing you all the best!
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Book Magic!
This week, I had another surprise pop up about Hurricane Baby: Stories–it’s now available online from Target.com! I was so STUNNED. I immediately wrote my publisher asking HOW she pulled this one off. She said it was likely because it was available at the wholesaler Ingram and that I had done such a good job collating my metadata. That was flattering, as was her comment that I should write something about metadata and its role in publishing.
Now, some readers may be wondering what metadata is and with good reason; I didn’t know anything about it until I started working for my job at a publisher. Metadata is information sent to online retailers such as Amazon, Barners & Noble, Ingram, etc. that makes use of search engine optimization (SEO) to enable readers to find a certain book.
Much metadata has to do with information the publisher will determine and supply–ISBN, title, cover image, shelving headers, BISAC codes, dimensions of the book. Other items of metadata that can be entered into your book’s electronic record are comparison titles, excerpts, and keywords.
Comparison titles are where the author indicates the book sits in the marketplace–books with similar themes, audiences, and writing styles. I used Amazon to search out mine for Hurricane Baby–I typed “Hurricane Katrina fiction” in the search bar and found several titles I thought would work. I then read the summaries and decided what books would match mine most closely. Other considerations include the amount of sales, the number of reviews the book had, and what format the book was published in; they needed to be as similar to the format as the book I was working on as possible.
Excerpts are important to give everyone reading the metadata the flavor of the book. I took a scene from the middle of my first story, “Still Waters”, where the hurricane hits Hattiesburg, Mississippi full force. It summed up the serious issues from the storm and showed the style of my writing.
Keywords are search terms for the book–a word or phrase that is electronically attached to the book as it goes out into the world. My keywords for Hurricane Baby were: 2005, climate change, destruction of the Gulf Coast, hurricane baby, Hurricane Katrina, loss of faith, post-traumatic stress disorder, Southern literature. The keywords can be a set of phrases or single words that someone might use as a search terms when looking for information/books on my topic. The key player in this case is Amazon–it has a fifteen-keyword limit for how many search terms you can attach.
So that’s a quick rundown of what I know about metadata and how I used it for my book. Hope the information can be helpful to someone else. And may it work in your favor as it seems to have done in mine! Happy writing!
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An Interesting Problem
One of my favorite writers is Alexandra Stoddard, who writes a great deal about home decoration, the art of living, architecture, beauty, and philosophy. She was mentored in the interior design business by Eleanor McMillen Brown, owner of a very fashionable decorating house in Manhattan, New York. In one of her books, Stoddard quotes Mrs. Brown as telling her, “If you change one thing, you will have to rethink and change everything.”
Such words not only apply to interior design, but for this manuscript, I’m discovering they apply to my writing journey at the moment as well.
I thought when I started editing based on the feedback I got that I would drop a new “chapter” in each section and make various other editing changes throughout, mostly deepening character motivations for minor characters.
So I wrote one of those new parts and dropped it into the first section that’s from Carlton’s point of view. And immediately realized that I needed to add several new pages to the ending of Carlton’s narration because of this new scene. It raised the stakes exponentially in that particular situation.
I’m starting to draft the new section for Cassie’s narration, and I’ve already figured out how it’s going to cause a huge ripple effect that will reverberate through the ending not only of Cassie’s section but of all the other characters’ narrative arcs.
And I haven’t given enough thought to the third new section I’m going to write, but I can imagine that Merrilyn’s narration will be altered as well.
But this is the best part–all of these changes are improving the story immeasurably. And I am having the time of my life drafting them and making the puzzle pieces fit to make it look like the story has always existed in this form and events could not happen in any other way.
So remember changing just one thing has the power to change everything. What change have you been afraid of making in your work-in-progress? What are you afraid of? Overcome the fear and make the change–and surprise yourself!
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A Wild Moment
I have documented a lot of surreal moments in my author journey on here–selling the book, preorders, my first review, my first author signing, etc.
Here’s another one for the books.
I was in a Barnes & Noble Booksellers in a local mall. And because I’m a bit delulu, I asked them on a whim if they had copies of Hurricane Baby: Stories in stock. The lady checked her computer and said, “We don’t–but it looks like our sister store in _____ has seven copies. We can order it for you if you’d like, though.”
You could have knocked me over with a puff of wind. My book actually WAS IN STOCK in the local branch of one of the biggest booksellers in the world. My stars–
I didn’t tell her who I was–I just smiled and thanked her.
Today I went to the sister store and FOUND MY BOOK in the huge Mississippi authors section in the front just inside the automatic doors and to the left. A whole stack of them.
I was almost hyperventilating at this point.
But I picked up a copy, took it to the front desk, introduced myself as the author, and asked if I could sign all their copies. They agreed to that, and the manager went to the back to find GOLD STICKERS that say “SIGNED EDITION” on them to place on the front covers of the books. I signed every copy even as my hands were shaking.
FOLKS–I was in a display with John Grisham, Greg Iles, Della Owens, Fannie Flagg, Kiese Laymon, Jesmyn Ward.
Bestsellers. Award-winners. And little old me.
I’ve run out of words to describe the feelings. And that’s saying something.
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Search Engine Fun
One of the ways that technology has changed the writing game–writers used to have to spend time in libraries paging through volumes of books, encyclopedias, and magazines to find the particular facts needed to bring verisimilitude to their work. Having just the right details could bring a story to life.
(Or you could, you know, just make everything up. That’s why they called it fiction.)
But now we have a wealth of information at our fingertips–the World Wide Web (except for the parts corrupted with propaganda, AI, and misinformation. But that’s a rant for another day.)
So writers love to trade stories on the weirdest things they’ve ever looked up on a search engine and to joke about how some of those searches, especially from the crime writers, likely land us on various and sundry watch lists at law enforcement and intelligence agencies around the world.
Which brings me to what I know has been my oddest search engine request that I’ve ever done. This past week, I typed into the search bar the words “Klan rallies” with much trepidation. What would I actually find?
I was doing research for a scene in my work-in-progress, set in 1970’s east Tennessee. It was after much of the worst of the 1960’s terror of the Klan was broken, but pockets of Kluckers were still active in some communities. So I imagined my protagonists stumbling into a rally by accident.
Almost immediately I found a press account of an initiation in 2004 (yikes) in Tennessee documented in a local newspaper article indexed by the Southern Poverty and Law Center. I scanned it and figured out exactly how the scene would go down.
I tell this story to show how sometimes it takes staring into the abyss for us humans to understand how to bring justice and fairness to our worlds. I took information about a dark spot in America’s history and transmuted it into a scene that says something about how ordinary people cope in the face of this kind of evil. And sometimes that means us writers must do things that make us uncomfortable for our art.
Including looking up weird topics on the internet.
Happy writing!
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Beta Readers Round One
So I heard back from several beta readers on Looking for Home. The verdicts were interesting.
Most of them agreed that minor characters in particular definitely needed more development. I had already realized this fact myself, so hearing it from readers was affirming–I wasn’t just being overly critical of myself. So now I am working at deepening roles of many of my side characters so that they get at least a bit of a semblance of a story arc.
As far as plot, the readers were almost unanimous that the pacing and the surprises were on point. One reader said it started off entirely too slowly for him. So I plan to go over that part carefully and see if there are parts I can cut, rearrange, what have you in order to not spend so much time setting the scene.
Almost everyone agreed that the story was easy to follow. Events made sense in the context of the story and were consistent for how I had set the world. One reader, however, was really unable to read past the heart of the story in the first third of the book. She told me she didn’t read stories that had that kind of situation as a plot element. She gave me her feedback on what she had read, and it was very insightful and useful. I apologized to her for the book being upsetting–and that I appreciated her candor and courage.
So now I have all kinds of ideas running around in my head for improvements. We will see where this goes. Next deadline is mid-to-end of May so I can turn it over to an editor friend of mine. Wish me well!
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Storyboarding Fiction
I went to the Southern Literary Festival in Blue Mountain, Mississippi at Blue Mountain Christian University this weekend. What I did was give a talk on how I constructed most of the stories in Hurricane Baby. It was often not as neat a process as this pattern makes it seem, but I did apply it to most of the new stories I wrote for this version of the book. I used the story “Neighbors Helping Neighbors” to illustrate the moving parts of the story.
SET THE SCENE: Answer the questions who, what, where, how, and why your characters are in whatever situation they find themselves in at the start. Always include action to bring the reader in. The reader sees Tommy wake up the morning after Hurricane Katrina, gets a sense of what he’s been through and where his head is at, and learns a bit about the character as well.
RISING ACTION: Get the characters moving. Show the reader what is happening in the world of the book. This piece of the story needs to set the events in the story in motion. Tommy Hebert gets a text message asking for people to come help a family in Mandeville. So he goes out on his boat and meets other men, his best friend Mark, and Mandeville cops who take them to the destruction.
MEAT OF THE STORY: You relay the most important part of the story here. This event should have the potential to cause a change in the characters who experience it. This is where the action is: this is where the heat is. In this story, Tommy and the other volunteers work to dig out Amy Thompson and her baby, Avery Thompson, out of the destroyed house. Tommy and a fireman are able to rescue the baby and get him to the hospital to be helped. But Amy Thompson has a heavy beam on her legs, crushing them–and Tommy finds out later that she didn’t make it.
CLIMAX: For me, the climax is not when there’s a big reveal of information to the characters and the reader. It comes when it’s revealed how the characters react to the big event/the meat of the story. In this story, Tommy is sitting in his house waiting on Mark, and a thirst for something to drown out Amy Thompson’s screams comes on him–and he succumbs to it.
DENOUMENT: The denoument is the fallout of the characters’ reaction to the climax. Tommy drinks three beers before Mark can get to him and starts a fourth as he comes in. They talk and decide Tommy’s in no shape to do the cleanup they had planned–neither physically nor emotionally. Mark leaves, and the reader is left with Tommy continuing to drink and the question of what happens next.
So this process is just one way to organize a story, but it’s been a very effective way for me to think about how to make all the events in a story/book fit together and flow naturally in a cause-and-effect manner.
No more book events in April as it’s usually a busy one for family in our house. Keep writing!
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Highs and Lows
Let’s talk about the low point first.
I suspected as much, but I got the official notification on who won the Mississippi Institute of Arts and Letters Fiction Award, and it wasn’t me. Which was a bummer. It’s one thing to not win an award because you wouldn’t dream something like that anyway. But to be nominated unexpectedly and then not win feels a little different.
But no matter. I called out the winner on Facebook and congratulated him and encouraged everyone to buy his book. It costs nothing to be gracious even when disappointed.
But one high–the nationwide Association of Writers and Writing Programs Conference and Bookfair was in Los Angeles, California this past week, and Hurricane Baby: Stories was there! My publisher, Madville Publishing, had a booth there and they took my book with them! I saw a photo of it because my MFA program was also there, and they hunted Madville up and posted my book on their Facebook page. So nice to see my book in such an exotic locale.
And another high point–this Friday, I went to my hometown high school where I graduated from in 1988 and spoke to the junior and senior classes about having a vision for their life, and setting goals, and executing plans to achieve those goals. I was told before the event that this was a pretty unmotivated bunch of students.
But I didn’t approach them that way. I told them I was just like them back ages ago when I’d been a high school senior, but that I had a vision of what I wanted my life to look like and I worked until I achieved it. It seemed to perk them up somewhat. They asked me to read some of the book, and when someone asked where they could find it, I handed out my bookmarks and told them how to order. I hope I inspired someone at least a little bit.
So what’s ahead? I plan to start working back on Looking for Home on April 1–hopefully my beta readers’ feedback will come in and I can start incorporating what they have to say. And Friday I am conducting a breakout session at the Southern Literary Festival in Blue Mountain, Mississippi at Blue Mountain Christian University. I’m going to talk about how I constructed the stories in Hurricane Baby by a pattern, then I’m going to give them a silly writing prompt I hope they can have fun with.
Happy reading and writing this week!
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What an Interesting Development
I track several things on the Amazon page for Hurricane Baby–sales rank, number of reviews, some sales numbers. Until recently, I didn’t think much about price.
I would see the price occasionally dip to $18, $17.99, $16.50–small changes from the cover price of $20.95, but nothing to really wonder about–until after the first of this year.
Then I noticed the price dropped to $8.50 for the paperback version. (The Kindle version is $9.99.) I thought that was odd but assumed it would be short-lived. Next thing I knew, the price was $8.48. Then $8.12.
I really started to pay attention then. It kept dropping until it reached $7.99 a few weeks ago.
I wrote my publisher asking if she had any insight as to why this had happened, Her answer was “not a clue”.
Hm.
So I turned to Google for answers. I input “Why did Amazon discount my book”. I got various websites proffering reasons that largely fell into three camps:
A) The book is selling really, really well and they discount it to sell more, or
B) It’s a completely algorithmic decision, or
C) it may be a case of setting your book up as a “loss leader”, hoping that a low price will cause shoppers to buy even more products than just the one book.
Another possible reason is Amazon may have ordered too many, and they want them out of their warehouse. That doesn’t sound likely since my book is print-on-demand–the book is assembled in response to the number of orders.
I was glad to find out it wasn’t necessarily a case of Amazon being ready to remainder the book and selling copies at fire-sale prices to get rid of them, which had been my first thought.
So we will see what happens in the future for my Hurricane Baby, the little book who could. Hope everyone has a good week!
PS 3/24/2025–I posted this last night, and then I looked at Amazon and found that the book has gone back up to regular price! That’s an interesting coincidence!
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Julie Liddell Whitehead 