craft of writing – Julie Liddell Whitehead

Getting it Right

I’ve talked before about my mantra for writing, no matter what kind it is: get it right and tell the truth. Those can be slippery concepts for fiction. Nonfiction can be easier–depending on what it is you’re trying to tell the truth about, such as in memoir, where truth can often be an elusive concept.

I’ve not always been good at telling the truth in my life. But eventually I learned that lying burdens the brain because you’re always having to think harder to keep your story straight.

The other prong of it I got to thinking about recently as I did some neurological testing to see what might be causing my memory issues or if it was just normal aging. It turned out that I am functioning fine for someone my age. But the doctor did note some interesting findings–one of which was that during the testing, I emphasized doing a task correctly rather than doing it quickly.

Ah, here was a question with a clear answer from my life! I told him that was an easy one to solve; in school, I used to be the first one in class to finish tests, but I didn’t always make a perfect score. So my mom impressed on me that I only got credit for getting the right answers, not for turning the paper in quickly. So all my life, I’ve been oriented to getting right answers and doing something correctly rather than quickly.

Back in my day, some teachers would go over the answers to a test by calling on people who got the question incorrect to give their answer so the teacher could explain why their answer was wrong. The first time that happened to me, I wanted to sink down through the floor in shame. That experience stuck with me my whole life–so I try as much as possible to get the details right in whatever I’m writing.

All of this, of course, can stop creativity in its tracks. The trick I use is to write about what I know I can get right first–then fill in the blanks with research and expert opinion. At least that’s the goal.

How do you approach truth in writing? Let us know in the comments!

Revamp

So I have started in earnest on the quick Hurricane Baby rewrite for July. I am working with the last reading Cheryl gave it and finding new ways to ratchet up the tension throughout. I am on story number 12 so far, and finally ran into one of them I’m not sure I can improve on. But I’m going to keep thinking on it to make sure. I am using Cheryl’s notes to work through problem passages that she pointed out that need either rewriting or cutting.

The story I just went through was a good example of what I am doing. In the last rewrite, I realized that each individual story had three impactful scenes in it, a rising tension one, a big climax, and a third scene leading into the next story in that arc. I just went through the story where Cindi leaves Tommy and realized the third scene was really flat. It didn’t have any stakes for Cindi and Tommy; it was just a memory of Cindi’s. So I made the scene have some more meat to it and added to the stakes of the fight between Cindi and Tommy over his drinking.

Another particular one that Cheryl had commented on was a story told from Rosie’s point of view, and Cheryl felt like it was Wendy’s story to tell. It had been originally in Wendy’s POV, but I wanted it to be in Rosie’s so she could have her say about the events in the book as well. But I hadn’t told a story about her in it. On this rewrite, I made the story about their relationship as sisters. I made it have stakes between them instead of just Rosie finding out about Wendy’s relationship with Judd. Hopefully that gives the story more depth and meaning and makes a better case for Rosie as the narrator.

I’m doing that with every story, checking that the number of scenes is right, that the stakes are high, and that each story is told from the right character’s POV. So we will see how it turns out.

Wish me well–I will need to be sending it back out soon after July to the new places I found to submit to. Here’s to second chances.

Writing Is Hard

Not to sound all fuddy-duddy and get-off-my-lawn-ish, but I don’t think some people understand how hard writing is.

You have to do so many things well to write well.

You have to be able to research your topic. You have to know how to research your topic. You have to be committed to researching your topic, despite all the challenges that may be thrown at you. You can research by reading books, talking to people knowledgeable about the topic, doing internet searches, poring over primary sources and records. And each research method has its own skill set to master before it can be effective.

Gone are the days of the copy pencil and paper and two-finger typing on a manual typewriter. Soon the qwerty keyboard may be on its way out the door as well. Adapting to the speeded-up pace of publishing is a must. Adapting to technology is a must. Adapting to your physical environment is a must, whether you work in a dedicated space in your home, or a coffeeshop, or a busy office environment. Writing is a physical act, not for the fainthearted.

You have to be able to recall, synthesize, and highlight information that is important to the reader’s understanding. A plain recitation of the facts is NOT writing. Beguiling, seducing, and entertaining the reader is what writing is all about. Sometimes it feels like you have to trick your reader into understanding what you want to get across; other times you have to trick yourself into believing that anyone cares. The writer’s job is to make them care, even if they aren’t interested.

It’s lonely–writing as a group activity is almost never good writing. It’s isolating–often the writer needs time and space to just think about the work, rather than talking about it to someone or bombarding their consciousness with noise. It’s often excruciating–when the perfect word or turn of phrase is just out of reach of the writer’s mind. It’s alienating–the writer has to believe in themselves when others wonder when the writer is going to give up this obsession and get a job.

But if you show up and do the work, magic can happen. That’s the writer’s payoff–not money, not fame, not bestseller status. The magic of a craft practiced well is the best payoff there is.

Hard-Won Knowledge

Well, something interesting happened yesterday. I have always been a very particular writer. I write it out and don’t finish a piece until every word is as good as I can make it–the first time I write it. I am used to turning out very clean copy in a first draft and not having to revise. I’ve never been one to subscribe to the “crappy first drafts” mode of writing–where you just get a bunch of stuff on the page and sort it out later.

But yesterday I did exactly that on this fiction project. I was writing one of the last stories and wanted to get everything down that was in my head about this scene, but I realized halfway through that it needed more attention than I was giving it–I was “telling” a lot in summary when I needed to be showing it in scene.

But I just kept plugging along and finally finished what I could do that day. I went back and read it and made a big cut, and immediately the scene felt a lot better. Now I need to go back and put in the scenes I was summarizing. I have never really been able to revise my own work–I think it’s all good until someone tells me otherwise, then I can see how to fix it. So I think yesterday was a step forward for me as a writer in that I know I have to fix it and know what I have to do to fix it. Instead of just thinking it’s wonderful from the get-go :).

So today’s craft tip–go ahead and write the garbage. At least sorting through it later will help you separate the recyclable from the trash and find the treasures within that you didn’t notice at first. I’m awfully late to this awareness, but I’m glad I finally have it. Happy writing!