COVER REVEAL COMING!

Hurricane Baby has a cover, ISBN number, and price. Keep watching this space, and you will see the cover after the New Year when the situation is totally finalized. YAY! Becoming more real by the day!

Kicking along with the new story as well. I’ve done a lot of thinking about what I want to write down, but eventually I need to start actually writing it down. Right now I’m keeping notes in my phone as they come to me.

I don’t know what this syndrome is where I can’t take myself seriously when I’m first starting out on a new project, but it needs a name. It’s not quite imposter syndrome–I know I’m fully capable of writing a good story. But I can’t look ahead to the future while I’m drafting, or I freeze up. I’ve spoken about this before–I have to keep my goals limited and my ego turned off. I’ve gone so far as to label a document Trash (before I knew about Dorothy Allison’s book) so I wouldn’t take what I was doing too seriously and just think about it as a throwaway project so my ego wouldn’t get involved. Anyone else out there ever feel this?

(I’m sure my ego will be kept in check when I actually start selling Hurricane Baby. I’m trying to keep my expectations reasonable there, as well.) 🙂

Anyway. I am going to take my time with this new project. I will have Hurricane Baby line edits coming my way soon, so that will a welcome development. Then it will go to print, and the book will be one more step closer to reality! Pre-order links will be available by March, so you will be able to order it then. Pre-orders are SO important–that helps the publisher know exactly how many books to print depending on what the demand is according to pre-orders. So you will hear me emphasizing that again once that time comes as well.

Thanks so much for all your support, and please wish me well as I begin to flesh out this new project as well. Thanks to all who read! Happy reading!

Finding a Passion Project

Sigh.

I realized I just don’t feel enough of a push to actually work on my memoir, When I Went Crazy, as I thought I did.

I’m not rushing to the computer to work on it like I did Hurricane Baby last year. I was seriously excited to do that project, and when I wasn’t excited, I was fueled with a grim determination. I WAS going to finish it, and I WAS going to revise it, and I WAS going to sell it whether anyone liked it or not. I had a real drive that pushed me through all the hard work.

And I’m not feeling that right now except about one project–selling my novella, Looking For Home, as a standalone project.

Looking For Home grew out of a scene I had written while floundering around with Hurricane Baby the first time. I had written it in the context of Wendy and Judd’s baby growing up and going looking for Judd when she was a teenager. I didn’t go that direction with Hurricane Baby, but I did think I had written a perfectly serviceable scene. So I dreamed up a new idea for a story about a teenaged couple, Carlton Dixon and Merrilyn Beck, giving up a baby for adoption because Merrilyn was only sixteen–and that baby coming to find Carlton once she got to be a teenager.

I had a really good time writing that story just like I had enjoyed doing Hurricane Baby, with a rich backstory, told with multiple narrators. On the advice of an editor I had asked to help me with it, I cut it down to one point of view and created a novella, which I sold to a publishing house in 2018 as part of an anthology. Well, the rights have reverted back to me, and I want to sell it as a standalone book.

So I’ve been researching publishing houses that publish novellas and sending off to them. But the story has really held up through the years since I wrote it. I don’t see anything that really needs to be changed about it. And if it doesn’t sell as a novella, then I may take it and redo it just like I did Hurricane Baby. Only this one I think I would write as a duopoly or trilogy of novellas in one book. I would harvest the original manuscript to write the story of back-when in Carlton’s point of view, write the intervening story in Merrilyn’s point of view, and leave the current novella in Cassie’s (the teenager) point of view.

(Hm. I will think about that some more.)

But back to my point. If there’s no flame to fan in your heart for a project, maybe it’s not time for you to work on that project. I have No real excitement about going back into those thoughts and feelings right now. So I will wait for the right project to come along. (Or I may have just found it. I’ll keep you posted.)

Liminal Space

So now I am in the liminal space between querying my book and publishing my book. I’ve done what I’m supposed to do (get the manuscript in the best shape I can, look over sample covers, get leads on publicity avenues) and now I’m waiting for the edits and the ironing out of final details before we go to print in February 2024. Suddenly February 2024 doesn’t seem that far into the future as it did in September when I signed the deal.

I am working on When I Went Crazy–I’ve finished the first chapter and am looking at the next. I will likely start on it tomorrow night when I write. I’m also researching places to try to publish my novella Looking For Home as a standalone book. So far I think I’ve sent it six places (I don’t have my list in front of me so don’t. hold me to that.) Not many publishers do novellas, so there aren’t many places to send to. But I’m going to give the ones I can find a shot and see what happens.

I love that I’m finally able to think about a future in writing and publishing my work. I had resolved to myself that if Hurricane Baby didn’t publish by 2025 (the twentieth anniversary of Hurricane Katrina) that I would just give up on writing fiction altogether and just stick to my bipolar work and labor for a better world for the mentally ill in my little corner of advocacy and education. But now I feel like I have a chance to do more, be more, get more visibility for the issues surrounding mental illness. And that’s a good feeling.

Mood Music for Writing

When I was first writing Hurricane Baby in those days right after Hurricane Katrina, I listened to two CD’s obsessively. We were members of the BMG Music Club back then, and we had ordered INXS Greatest Hits and Duran Duran Greatest Hits in the weeks before the hurricane hit, and they were delivered to our mailbox once mail service was finally restored to our area, in the first batch of mail we got.

So those songs became part of the backdrop of those days following the disaster and were very closely associated in my mind with my emotional state after the hurricane–terrified of what we had become as a society, traumatized by the endless news feeds showing the horror wreaked on the entire state of Mississippi and the eastern half of Louisiana, and desperate for a return to sanity and normalcy in my spirit. And whenever I worked on the novel that my story was becoming–I put those CD’s on the stereo.

So whenever I returned to the manuscript to retool it, revise it, revisit it, I put those CD’s on to try to recreate the vibe of my emotional state when I first conceived and wrote the book. That included this latest set of revisions, the ones that finally got the book sold.

So now I am thinking about my new project, which I am currently calling When I Went Crazy. I decided that since playing mood music in the background worked so well for writing Hurricane Baby, I’d try it with this one as well!

I tried to remember the music I’d played while writing the thesis for my graduate program and just couldn’t come up with anything I had stuck with that inspired me to write. Then I realized that with me concentrating on the time period I was going to cut my thesis down to, it was going to be a lot darker than the thesis. The theme of my thesis had been hope, that there is life after receiving such a diagnosis. But I realized that to accurately convey my emotions during the time the book would cover, I was going to wander into some scary territory.

So I set about putting together a playlist on Spotify that would reflect the vibe I wanted to create in the new project. I started with my favorite songs from the two CD’s I had used to write Hurricane Baby–then I let the suggested songs I was given after each addition govern the other choices. I have songs from Robert Palmer, Simple Minds, Prince, and several other 80’s groups, because I will be doing some flashbacking to when I was a teenager and listening to those songs. Other songs from when I was even younger include some of Elvis Presley at his bluesiest best. Anything the suggestions list had on it with a harder edge to them that would capture that feeling of helplessness I had watching myself fall completely apart went on the list.

When I finished, I had two-and-a-half hours of music listed out. I never write for longer than that at a time nowadays with my job, so I felt like that was a perfect length. I labeled it “Writing Mix–When I Went Crazy” and stored it on my phone. I was pleased with myself. I will reserve it for when I am actively writing on anything related to the memoir. Off to the races!

Edit; Selling Hurricane Baby? That playlist was Hamilton the Original Cast Album. “I am not throwing away my shot!” But I’ll save that story for the book tour. . . 🙂

My Final Copy

I turned in my final copy of the manuscript on November 1, early last week. Now it’s time for the editors to get going on it and find what I might have missed. I really worked hard to do all the corrections and typos and continuity errors, and I thought of one this afternoon I probably left uncorrected–in one particuIar spot, I called Tommy Hebert’s truck a diesel truck–and it’s not. So I need to at least correct that as soon as possible once I get the edited manuscript back. I’m hoping that’s the only glaring thing that’s there. I imagine there may be stylistic discussions, etc. as well. Which I do not mind getting into. If something needs changing to make more sense, etc., by all means, fix it.

I don’t know when those are going to come across–I figure after the new year with the way people usually work during the holidays. It needs to go to print February 1 or thereabouts. I just want the editing process to be smooth and not rushed. So I hope I hear back sometime in December while I am off for the holidays. We will see.

I am starting to turn my mind to my next project, and I think it may be my memoir project rather than any more work on Missing and Mentally Ill in Mississippi. I haven’t gotten any replies on it from the batches I sent out in August and September, and I was too sick to send many queries during October. And most of New York publishing shuts down during the holidays until the second week of January. I have the proposal, and it is still solid.

But I think I am going to invest in rewriting the story of those 24 months between when I told Bob I was pregnant with my youngest daughter and when I was actually diagnosed bipolar. And I can have my stats (if any!) from sales of Hurricane Baby to bolster my case for getting another publishing deal. Not sure exactly when I will get started, but maybe soon, maybe after the new year, maybe after i finish edits for Hurricane Baby. I’m going to start by reading that part of my thesis manuscript again and see what (if anything) I can incorporate from that manuscript to the new one.

Wish me well! Happy writing to you all!

Self-Publishing vs. Traditional Publishing

So if you’ve been on social media for the past couple of days, you’ve probably seen the kerfuffle on this topic. A Famous Author spoke disparagingly recently about those who self-publish rather than get an agent and a Big Five deal. She called self-publishing the “easy way”.

Now, I understand this line of thought. Back in the 2000s, self-publishing was synonymous with vanity presses, those you paid to simply print your book for you (often at great expense) and left you to your own devices to sell a few copies and be able to say you wrote a book. Often, they were riddled with grammatical errors and looked very unprofessional to the savvy readers’ eye.

However, that’s no longer the case with the current generation of writers. Many act as their own publisher, hiring editors, book designers, publicists, printers, and other professionals to aid them–or taking the initiative to do all of these jobs themselves and–most importantly–keep all their profits from sales.

I knew I didn’t have the expertise or desire to incorporate and run my own publishing business. So I opted to pursue a small press or university press deal, where I wouldn’t be too busy doing all the technical work to publish a book to be able to write the next one.

Self-publishing is also democratizing and diversifying the publishing trade. The Big Five have a problem common to multinational corporations–appealing to the lowest common denominator to make a quick buck or billion. But very little of that money goes to the author–most is eaten in taxes, agent commissions, and other expenses of the publisher.

I was blessed to find a regional press that published what I was selling–a book of Southern literature, a short story collection, a book set in recent past. They take care of the technical details, and I set my own publicity schedule, going where my book is likely to find an audience. As far as I am concerned, it’s a win-win.

Writing a book is a big accomplishment. Finding an agent and a publisher is darn near impossible for someone just starting out. The main thing for an author to watch out for is someone who wants to draw you into spending a lot of money and have very little to show for it afterwards–agents who charge upfront fees, publishers who hoodwink you into a ironclad contract then take you to the cleaners for expenses, editors who want to turn your book into something other than what you meant to write.

But making the choice to self-publish, with your eyes open to the demands that path entails, is often a case of getting a book out into the world that is everything you wanted it to be. And that’s not as “easy” as some might think.

Book Cover Planning

So in the author questionnaire I filled out for my publisher, I was asked my ideas for the cover design of Hurricane Baby. I’ve been asked this one other time, and my idea for the cover hasn’t changed–I wanted a faded black-and-white or sepia-toned photo of the barrier islands on the Mississippi Gulf Coast with the title and my byline in italics so it would look like the words were being blown across the page. My publisher thought that was a neat idea.

So last time I checked in with the publisher, she said I could start working on the cover by creating a “mood board” of pictures that I would like to see. She suggested I use Shutterstock, but I don’t have an account there, so I used Morguefile instead, a free site I have used before for blog post pictures back when I was guest blogging.

I used the keywords of “Hurricane Katrina Mississippi Gulf Coast” and got lots of pictures. I didn’t want any that were of graphic direct hurricane damage–i.e. houses broken down to matchsticks or anything like that, because the hurricane damage in Hurricane Baby is largely psychological, rather than physical. I didn’t want to give away much about the story, so I didn’t want an actual baby on the cover. So I pulled three photos that really evoked the mood–one of a clouded-over sky, another of surf on the beach, and another I really liked: a tree standing alone on the beach having not been knocked over by the winds.

That picture particularly struck me because Hurricane Baby is all about people who survive the storm but are changed forever because of it. They are still standing–but they’re scarred and alone in their inner turmoil.

Anyway, I sent those to the publisher and she latched onto the tree one as well. So that was happy. I told her that I wasn’t wedded to any particular picutre that I sent and she was welcome to send me any others when the time came to select the cover, but that these three represented the vibe I was going for. So once I get the manuscript to them after this edit I’m currently in, I will see what they come up with for the cover and have fun!

So if you will excuse me, I will go back to editing! Happy Sunday and happy writing!

Working Through Setbacks

(I wound up in the hospital ER last Sunday afternoon so that was why I did not post.)

But once I got home, I started back working through my printed manuscript. I am working through my big continuity problem–I had aged Mike and Dinah Seabrook, up to where they were in their early fifties. Guess what I forgot to do?

Age their kids.

I had them with a two-year-old boy and two elementary-age girls.

So now I stepped Mike and Dinah down to in their mid-forties and put all three of the kids in middle school. I remember how stupid I felt once I realized what I had done! I guess I was just very very lucky it wasn’t caught by this publisher’s reader and rejected. (That may have been the trouble all along!)

So I am editing the old-fashioned way–notes in the margins, etc. Once I finish this once-over today, I’ll have plenty of time after I get this health issue straightened out to make the changes in the final manuscript and be done with this stage.

Of course, there’s no telling what’s going to happen once a project editor gets hold of it. I am just trying to get it in the best shape I know how, then take their edits and make it even better!

Next week: talking about cover images! Can’t wait!

Read-Through

So today I sent my book to be printed at Office Depot. I ordered two copies–one to document this iteration of the book, and one to mark up as an editor.

And boy, does it need an editor.

Still some periods that should be commas and backwards quotation marks–stuff you have a hard time seeing on screen that’s easier to pick up in a print.

And I’ve found one minor and one major continuity errors. I will need to do a lot of work to straighten up the second. But that’s why you keep making pass after pass through it–to catch that stuff before it goes to print and you embarrass yourself.

So that’s been today. I was hoping to get the read-through done today, but I guess I’ll have to finish tomorrow then start marking the text up and input the changes each night.

Good work ahead–can’t wait!

Hurricane Baby The Play Update!

So when I signed my book contract, I made sure to keep the rights to Hurricane Baby, the play. And the Mississippi Repertory Theatre (which has gone through a lot of drama in the past few months) sent me a message yesterday that it plans to go ahead with a staged reading in Oxford, Mississippi soon, dates about to be determined!

So knowing what I know now, I said I wanted to work on it a bit and give them a clean script tomorrow. So that is my job today.

The artistic director said they were looking at doing a new plays festival in Oxford in 2025 with a full production. I told him about the book release, and he said something to the effect that he’d like to tie the play to the book’s release. So a lot of things have to happen for that to occur; so I need to see what develops in the future.

It seems that I’m going to be my own publicist, so I need to make a list of what all needs to be done between here and the book’s release. I know I want to go toa few bookstores in Mississippi and Louisiana, I hope to do the Louisiana Book Festival and the Mississippi Book Festival and the Welty Symposium, so I need to work on those avenues closer to the book’s release. Any other publicity needs to start about four months before the book’s release date.

So that is where that project is at. Can you tell I am still excited? Happy all the way through.