Category: business

Encouragement

Well, I got the nicest rejection letter I believe ever written in the history of the world on Monday.

Very clear that they were not going to be able to publish, but also told me why: short- story collections are a hard sell in the best of environments, that this editor was unsure that Hurricane Baby (based on a reading of the first four stories) would be “something greater than the sum of its parts”; and that he didn’t feel he had enough time with each character in each individual story.

But in the letter, he also complimented me on my writing skills, my ability to portray these emotional moments in the characters’ lives, and my ambition in taking on such a topic of import and delivering exactly what I promised in my cover letter: the mental and physical toll Hurricane Katrina took on those experiencing it.

This letter is the kind of rejection you want–kind, respectful, and honest.

Thank you so much, sir. Hats off to you for keeping my dignity and self-worth intact. May your tribe increase.

And Now For Something Completely Different

I am just now hearing about the death last Thursday of one of America’s premier political satirists, Mark Russell, at the age of ninety.

My first thought was, “I thought he was already dead!”

But no. He actually lived to cover the 2016 presidential election, after which he retired. (Wouldn’t you? Satire cannot beat Donald Trump running for and winning the US Presidency.)

You may not remember him at all. He did a regular show on PBS, taking what had been a lounge act with musical political parodies of songs to the network after the fall of the Nixon administration in the 70s.

Since PBS was one of the three channels we could pick up regularly out in the country where I grew up, I watched a lot of him at night on the tiny black and white TV in my room. My parents believed that whatever appeared on PBS was educational and let me watch whatever I wanted to on PBS.

Now, fast forward to the start of my freelance career in 2000. I read a flyer online about an arts series at little ol’ Meridian Community College and there it was in black and white–Mark Russell was coming to do a show.

And I thought exactly the same thing I said above. “I thought he was dead already!”

So I asked one of my editors if I could do a story on him appearing and interview him. She said “Sure!” (Probably laughed like a hyena after she got off the phone. I was fangirling big-time.)

So I did have enough sense to call the people putting on the arts series and tell them I would like to speak with him for the story. So they said they would forward my request and number to his people.

His people called and set up the day he could talk.

A few days later, I pick up the phone after it rings. “Hi, Julie! It’s Mark Russell. Is this a good time to talk?” I heard.

Oh, yessir, it is!

We probably talked for twenty minutes, with him tossing off bon mots and me taking notes like aboslute mad. I was thinking, “I have ARRIVED! NOTHING in my professional career will top THIS MOMENT!”

And you know what, I wasn’t far wrong.

I still remember that kind man returning my overture and gifting me with grace when I was as green at this business as a Granny Smith apple.

But I learned dreams can come true. What dreams are you waiting for to come true?

Numbers Update

Total queries sent–48

Presses that sent explicit rejections–20

Presses that have ghosted me–9

Presses where it’s still being considered–19

Presses to still send to–10

Oof.

I’m not depressed. I’m not mad. But I’m sidling up next to being resigned to the book’s eventual fate.

It’s not been without its supporters. One press was kind enough to say that they enjoyed it–but they had a full slate of books already. One press noted they are waiting on a final decision from their executive director.

At least I know I tried. And I will keep trying until I run out of ideas.

Professional Jealousy

I had kind of a bad week the week before last as far as how I felt about my writing. One author in a writers’ group I am in posted the story behind her book deal. I am trying to be charitable and think that she was just posting encouragement. She talked about how long she had been writing in her spare time and how she’d always wanted to write a book, and she got laid off at her job. She decided to take the plunge and try to do a book on a volunteer passion project of hers.

She consulted with another person in this writers’ group, and together they crafted a nonfiction book proposal. Within a month, she had a literary agent. Within six months, she sold the book at auction for a six-figure advance to a Big Five publisher. She hasn’t even written the book yet; she asked for encouragement going forward.

I am trying so hard to be joyful for her and not think of myself.

But it’s so hard to.

I have been kicking Hurricane Baby around for almost twenty years. I got an agent fairly rapidly, and I tried the big New York presses first. No dice. Now I have refined it several times over and am trying to work with the small presses. So far the query letter got some hits, but I’ve collected polite rejections after that. I still have about twenty possibilities for it, but I’m starting to think that maybe it’s just not going to happen for me–a feeling that reading this story intensified.

But as Anne Lamott says, I am comparing my insides to someone else’s outsides. It probably wasn’t as easy as it seems for this person. On social media, you only see the end result. In this blog, I’m trying to counter the myth of the “overnight success” by being transparent about what this process is like. I believe in telling all like it is. And right now, it’s uncomfortable to sit with the idea that Hurricane Baby might never be all I want it to be.

But all I can do for myself is press forward. And press forward I will. It was hard to pick myself back up and send the book off to yet another press this week. But I did it. And I will wait and see what happens with it. Wish me well. And I will take heart in the fact that I have my own tribe cheering me on, here and elsewhere.

Persist. That the word of the month for me. I hope it can be yours as well.

Watch Out!

I already addressed in a couple of posts about how writers can get victimized monetarily by publishing companies that charge fees for any number of services they offer their authors–and my one exception to paying presses was the fee that presses may ask for when they run contests for manuscripts once or twice a year.

But new reporting has come out that some presses are charging ALL submitters with fees, and that these certain publishers are owned by known bad actors in the indie publishing world. Read the full article here:

Showcase Magazine, Ephemera, C & R Press, Steel Toe Books, Fjords Review, PANK Magazine, American Poetry Journal…oh my? (substack.com)

I’m transparent enough to admit that I sent Hurricane Baby to two of these publishers. I’m out about $50 to people who may not have even been interested in publishing anyone, much less me. One publisher on this list I withdrew from very early in my querying process after reading a Writers Beware post from Victoria Strauss, an invaluable member of the literary community who researches and collates publishing scams and the scammers that run them.

The other I withdrew my book from after reading this article.

Fool me once, shame on you. Fool me twice, shame on me. I looked at reputable organizations to find these publishers–various literary magazines maintain databases of small presses. and these trusted publications never had anything indicating that these presses were in any way suspicious. We’re on our own, folks.

Just goes to show that some people will do anything to make a buck. And others will be silent about these bad actors and are therefore complicit in their schemes.

The takeaway? Research, research, research. Make sure you know something about who you are sending your work to. Check them in Google. Scan for their names on Twitter and other social media. Give their website a detailed look–one way I weed out publishers is if I have never heard of any of their authors. If a place gives you bad vibes for any reason, don’t submit there.

The only way we can choke out these people is to decline to be a part of their income stream in order to make our point–that it’s wrong to take advantage of people.

Update on Numbers

So I decided to look at numbers again for Hurricane Baby’s querying journey–here we go.

Queries submitted: 38

Rejections received: 15

Places still on the list to send to: 10

I did get a lot of rejections over the holidays, but I was expecting that so I am still okay about it 🙂

I am going to send another query this afternoon or tomorrow, to Prairie Schooner Book Prize. More places open up in February, so I have a plan to continue submitting for the rest of the year, just about. And I may find even more to send to. We will see.

Persistence pays off. That’s what I’ve been told. So we will see. Wish me well!

Hurricane Baby the Play Update

I finally got to talk to the artistic director of Mississippi Repertory Theatre, the group that is going to put on Hurricane Baby this spring. We had been missing connecting for a while–we talked once over Facebook, and I had made a few calls trying to catch him at the theater but always missed him. So we finally had a chat.

He had a lot of good ideas about putting the play together–he talked about using news footage of Hurricane Katrina on the projection screen the theater has during scene changes (which there are several). We had a very productive discussion about fees, which is the main reason I wanted to talk to him–some theater companies I won’t name like to nickel-and-dime their playwrights, but he didn’t sound like that type at all.

He told me I would get a royalty for the rights to use the play and I would get a percentage of the tickets as well, which is what I had been told to look for by another theater-friend of mine. He said he would invite me to a rehearsal to see a run-through and get my ideas about costuming, the scenery, the tech rehearsals, etc.

And we closed the discussion with me sending him another play of mine that he said he would be interested in for the next season–it’s set at a suicide hotline, a very simple two-person show that could be used for touring. So we will see what comes of this collaboration with them.

I was very pleased talking to him and hearing about his vision for how to produce it. I look forward to working with them. He talked about doing it in early April, which would be great. I will keep you all updated as to its progress in the next few months. Thanks for reading!

Sketchy Replies

I’ve had a very interesting pattern develop in some of my rejections for Hurricane Baby–three of my six rejections have offered to publish my book in a self-publishing format. They want me to pay them a fee to print my book, edit it, and distribute it.

This kind of offer is sketchy for several reasons.

Each house that has done this advertises themselves as a traditional publishing house. That means if they take you on, they are making a commitment of their own money to the project and therefore, have a vested interest in recouping that investment.

Offering what are essentially vanity press services makes me think that maybe they weren’t on the up-and-up to begin with; maybe they never publish anyone with their own money and don’t pay royalties. It makes me think I dodged a bullet in dealing with them.

They try to make it sweeter by saying I can keep more of the profit off of each book sale under this arrangement. Well, if they have no money invested, they therefore don’t have any motivation to help me sell it; therefore, I am essentially the publisher, and they are simply a printing service. If I wanted to do that, I wouldn’t be sending it out to other publishers; I’d have already done it myself.

I am pointing these red flags out because so many of us are so desperate to get our work out there. We want to have our voices heard. But book publishing is not a charity endeavor–someone has to make money. I know my book needs someone’s expertise to get into bookstores, to be edited professionally, to be marketed effectively to readers.

Any publisher that offers a service where you pay them for any of these components needs to market themselves as what they are–a printing service for authors prepared to sell their books wholly by themselves. I’m not saying that is wrong–calling yourself a hybrid publisher or a for-fee publisher keeps your intentions aboveboard. To advertise yourself as anything else borders on the predatory. Writers live on hopes and dreams. Sometimes the hopes and dreams overcome our business sense.

All in all, you want someone who will champion your work–not simply collect a fee from you. I will not name the companies here–just warn you to do your due diligence in steering clear of anyone that might have your money flow to themselves instead of the other way around.

By The Numbers

So today is going to be a numbers post about how trying to find a publisher is going. These numbers are after being on submission for about a month and a half–I sent the first queries out on September 7.

Total queries to publishing companies sent–33

Rejections–4

Number of queries through Submittable–14

Number of queries through QueryManager–1

Number of contests entered–10

Number of publishers I still plan to send to–14

Queries to agents–0

By the time I send out to everybody on my list, it will have been on submission for a year.

I am trying to give this book its best chance to get published I can. That’s why I’m sending it far and wide within the parameters I mentioned in an earlier post. No use in sending it to people who don’t publish what I’ve got. So we will see where things go from here.

Wish me well. Happy writing!

Indie Publishing

So I have been scouting out small presses, university presses, and independent publishers for Hurricane Baby: Stories. You know what? The US has LOTS of them–and many take submissions directly from authors without need for an agent. So what criteria am I using in selecting the people I send my manuscript to?

Number 1) I am looking for established presses. Presses that have been around for a while. Presses that know what they are doing. Presses that have a process for what they do. I do not want a press that is a flying by the seat of its pants publishing my work. So I look at the history and mission of the press.

Number 2) I am looking for someone who is buying what I am selling. Not many presses deal in short-story collections. I am looking for information that says explicitly that they publish short-story collections.

Number 3) I am looking at presses that are located in my geographic area. Since I write Southern stories and characters, I look for Southern presses. I have sent to a few presses that are located outside of the American South, but not many. I want someone who can read in a Southern accent because that’s how I write.

Number 4) I look at presses that deal only in electric submissions. A few presses and prizes out there still require sending a paper copy of the manuscript. I judge them for this–it means, quite frankly, that they aren’t evolving with the times. It’s the 21st-century. Electronic submission is where it’s at.

Number 5) I am not ruling out presses that may require a submission fee, especially for contests. Lots of people won’t pay those fees out of principle, citing that the money is supposed to flow to the writer, not the press. I’m not doing it often, and there is a limit to what I plan to spend. But let’s not act like writers have never spent money to send off their manuscripts– postage and printing costs for sending in a finished paper manuscript was expensive, too.

Number 6) If I’m really on the fence about a particular publishing house, I look for something intangible that says, “We take your work seriously.” One press I have really been considering published two books by a professor of mine–but I just don’t like the tone of their website. I want a press that means business–in every sense of the word. So I’m not sending there.

Bottom line–publishing is a business. And I want a press that has an established track record publishing what I am offering that ultimately understands my work and has the means and the vision to do so. So far, so good. Thanks for reading!